Earning from your YouTube channel but wasting too much time editing?
Let me take that off your hands so you can focus on growth.
I worked closely with Covert Media’s team to streamline their VSL production by handling the initial edit, adding b-roll, text, graphics, and SFX to create polished, engaging videos. This saved their senior editors over 30 hours of work per project.
Produced and edited the video entirely, from scripting to screen recording and saving Sebastian over 20 hours of his time. He only had to record his A-roll and the video was done!
Ayush wanted India’s first cinematic tech video and I helped make it happen.
I wrote the script, storyboarded, advised the DOPs remotely on gear and decor, and edited the full video myself.
The result? A powerful story of a 14-year-old entrepreneur, and over 60 hours saved on planning, coordination, and editing.
Dillon filmed over 5 hours of footage for this tutorial. I shaped it into a clear, step-by-step 15-minute guide that walks viewers through every essential phase of customizing shoes, from prepping and dyeing to painting and finishing.
By handling the structure, pacing, and polish, I saved him 20+ hours of sorting, cutting and editing while making the process easy to follow for his audience.
Dillon filmed over 2 hours for this tutorial. I turned it into a clean, high-impact video that teaches 10 tricks in the customizing world, from stencil hacks to smooth airbrush gradients.
Result: a polished tutorial, 30 hours saved, and one less edit on his plate that week.
Isekai Kitchen recreates dishes straight from her favorite animes, breaking them down into real-life equivalents you can actually cook.
I turn her scripts into clear step-by-step tutorials: the kind that keep viewers engaged and coming back.
Since taking over the edits, she’s gone from barely posting once a month (editing burnout) to publishing consistently.
This video hit 65% retention in the first 30 seconds, showing how strong structure and pacing keep people watching.
This documentary pays tribute to my 70-year-old aunt, who lives in isolation in the mountains of Transylvania. Through her story and the lives of Romanian villagers who remain disconnected from the modern world, I wanted to convey to my professors in Bucharest a sense of life’s course and the passage of time.
Growing up in a small Romanian town, this story feels deeply personal to me—these are the landscapes of my childhood summers. Titled "FLOARE," meaning "Flower," the film is named after my aunt and protagonist, Floare. Filmed in the village of Floresti (derived from "flower"), it reflects a tradition where names are chosen based on religious holidays. My aunt was named "Floare" because she was born near Palm Sunday, a day marking the start of Holy Week in Christianity. The documentary is fully subtitled in english, and took three days of filming.
I work with a small number of creators at a time. If you're earning from your channel and want to save hours each week while improving the quality of your content, let's connect.